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01:
D'estrena
02: Jauzimen
03: Ballar de Mazarol
04: Alegretat
05: Quitar
06: De Ploya
07: Monsegur
08: Carcasona
09: Ballar Cortezamen
10: Ballar de Mort
11: Da d'Foc
12: Recomensar
13: Tenso

All pieces written, arranged and performed by Bob Minney & Nicholas Breeze Wood

Recorded during the Winter of 1991

Nicholas Breeze Wood
Mediaeval Lute • Guitarra Morisca,
Sixhole Pipe • Drums • Bells • Vox.

Bob Minney
Mediaeval Harp • Sinfonye,
Sixhole Pipe • Plucked Psaltery,
Drums • Gusla • Mediaeval Lute,
Guitarra Morsica • Vox.

This a CD of music inspired by the music of the troubadours of mediaeval southwest France. These were poet-musicians who lived and worked in the 11th & 12th centuries and where contemporary with the gnostic group the Cathars.

Some 300 troubadour songs have come down to us today, as well as a far greater number of songs from their northern French counterparts the trouveres. It is known that at times the troubadours would employ others to perform their music, these often being professional musicians known as jongleurs. These players would also be called on to perform the instrumental music of the time, little of which remains. It is logical to suppose that a good tune composed by a troubadour may well have been performed instrumentally, and indeed some of the troubadour songs that still exist are written in the style of dance tunes
The most well know form of these dance tune is the estampie, or estampida. This is a stamping dance which became popular all over mediaeval Europe; examples of it being found even in English manuscripts of the time.

Much of this early instrumental music would no doubt have been improvised, that is to say made up as the music progressed; and the music on this CD follows this practice. Each piece began its life as a jam session which helped to formulate the finished piece.

They are all played on instruments the troubadours and jongleurs would have been familiar with, in fact many appear in illustrations of the period. Many of these mediaeval instruments are Arabic in origin, and these exist today in Arabic countries, almost unchanged in the past 800 years.

The music of the troubadours and jongleurs did not disappear all together, echoes of it remain with us even today. Their culture was destroyed in the war fought in Southwest France to destroy the Cathars, but their ideas passed on to Italy and became the seeds of the Renaissance, the rebirth. And perhaps in our own time the spirit of the troubadours has passed through the fire to be reborn once more:

recomensar - we start again.


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